The End of the Line

Eric Maring

The End of the Line
Performed By Eric Maring
Album UPC 9780963810809
CD Baby Track ID TR0000786507
Label Eric Maring
Released 2011-09-01
BPM 146
Rated 0
ISRC usdy41559299
Year 2011
Spotify Plays 14
Writers
Writer Eric Maring
Songwriter ID 1456844
Pub Co Eric Maring
Composer Eric Maring
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceOne Stop
Rights Controlled Master and Publishing Grant
Rights One-Stop: Master + 100% Pub Grant
Original/Cover/Public Domain original
Country United States - Washington DC

Description

"‘The Line’ produces ‘Graceland’ like heights of eclecticism and inventiveness, and mirrors the book’s own already lyrical approach to philosophy.”

Notes

"Maring’s musical sweep takes you from meditative guitar music to the chaos of jungle sounds, making the characters and ideas in The Monkey Bible come alive. His imaginative, playful, soulful style works perfectly with this material. A few days after seeing it performed live, I keep finding myself singing 'Sad, Tired, Beautiful World.' Surely a testament to that song's sticking power. It's a great one." -Sarah Scherschligt

‘The Line’ bridges the gap between evolution and creationism
By Ed Watkins – The Gateway
The book “The Monkey Bible” is an ambitious title looking to bridge the gap between creationism and evolution. Eric Maring’s companion album “The Line” echoes the theme, exploring the two mentalities with thought provoking lyrics and whimsical melodies. This theme is established on the album’s second track “Welcome to the Line,” which opens with ambient jungle sounds before transitioning to a driving percussion and resonant piano accompaniment. With lyrics like “lines drew thin or thick with time, I’ll cross yours if you cross mine, welcome to the line,” the track invites listeners to an open debate rather than directly challenging their beliefs.

The mood of the track “Into the Attic” is established by the relaxing rhythm of raindrops and the faint sound of thunder. From there, the track segues into a stylish blues bass line and laid-back lyrics that firmly establish a mood of melancholy and doubt. From there the album effortlessly transitions into the optimistic song “Wide as a Wave,” further establishing the theme of duality and the lines that separate two trains of thought.

“Monkey See, Monkey Do” is perhaps the most creative track on the album. The style and overall cadence of the song are very similar to both a ragtime jazz song and something you would hear on a carnival midway. The pace is both frantic and erratic with a tempo that rises and falls. With lyrics that seem to be inspired by Dr. Seuss, the end result must have been as much fun to record as it is to listen to.

“A Matter of Design” is a thought provoking song asking questions like “Are we all really different today? Are we getting our answers? Is thunder any less of a wonder or do we just ponder it less when we’ve got our wireless?” The track never really attempts to answer these questions, but rather provide the listener with some food for thought. The album, much like the book that inspired it, is an interesting concept. The diverse assortment of instruments and James Taylor-like lyrics and vocal style are sure to please any fan of acoustic or folk music.

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