Mercy Date
Angwish
Performed By
Angwish
Album UPC
885767249134
CD Baby Track ID
9064600
Label
Mo Productions
Released
2010-04-24
BPM
90
Rated
0
ISRC
usx9p1114119
Year
2010
Spotify Plays
41
Writers
Writer
Bryan Alan Bielanski
Songwriter ID
935605
PRO
ASCAP
Pub Co
GWENNY SONGS
Composer
Bryan Alan Bielanski
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceOne Stop
Publisher Admin
CD Baby Publishing
Rights Controlled
Master and Publishing
Rights
One-Stop: Master + 100% Publishing
Original/Cover/Public Domain
original
Country
United States - United States
Lyrics Language
English
Notes
Creative Loafing Charlotte CD Review.....April 30 2010
The Deal: Charlotte's Angwish – the duo Bryan Bielanski and Rachael Malmberg – release fourth full-length album, Into the Void, on April 30, 2010. Album is produced by Rob Tavaglione at Catalyst Recording.
The Good: Formerly a trio, the band is now moving forward as a duo, savoring their indie-pop and rock sensibilities. While the songwriting – lyrically and musically – has matured, the band has also continued its harmonic approach to the vocals. Harmonies spark some depth to the sound and vocals are also layered to provide a good male/female sonic dichotomy throughout the 13 tracks. The music style shows the broad range of influences – "Beautiful Place" and "Hello Katie" border on something grunge-esque, "Cat Song" and "Not Interested" lean punk, "Clone You" is dark and almost metal, while the indie-pop of the title track ends in a frenzy of feedback.
The Bad: No complaints. I don't think the band's going for prim, proper or polished here. It's got the raw edge that you'd expect to see in their live show.
The Verdict: I'm not quite sure – with the variety of styles evident here – that the band has yet found "themselves" on the musical landscape, but sometimes the journey you take getting there is the most fun.
The Deal: Charlotte's Angwish – the duo Bryan Bielanski and Rachael Malmberg – release fourth full-length album, Into the Void, on April 30, 2010. Album is produced by Rob Tavaglione at Catalyst Recording.
The Good: Formerly a trio, the band is now moving forward as a duo, savoring their indie-pop and rock sensibilities. While the songwriting – lyrically and musically – has matured, the band has also continued its harmonic approach to the vocals. Harmonies spark some depth to the sound and vocals are also layered to provide a good male/female sonic dichotomy throughout the 13 tracks. The music style shows the broad range of influences – "Beautiful Place" and "Hello Katie" border on something grunge-esque, "Cat Song" and "Not Interested" lean punk, "Clone You" is dark and almost metal, while the indie-pop of the title track ends in a frenzy of feedback.
The Bad: No complaints. I don't think the band's going for prim, proper or polished here. It's got the raw edge that you'd expect to see in their live show.
The Verdict: I'm not quite sure – with the variety of styles evident here – that the band has yet found "themselves" on the musical landscape, but sometimes the journey you take getting there is the most fun.
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