The Put Outs
The Beltways
Performed By
The Beltways
Album UPC
795103110229
CD Baby Track ID
11049
Label
Sawng Mfg. Records
Released
1999-01-01
BPM
113
Rated
0
ISRC
uscgh0693426
Year
1999
Spotify Plays
77
Writers
Writer
Jay Filippone
Pub Co
Jay Filippone
Composer
Jay Filippone
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceOne Stop
Rights Controlled
Master and Publishing Grant
Rights
One-Stop: Master + 100% Pub Grant
Original/Cover/Public Domain
original
Country
United States - Maryland
Description
a mixture of energetic power-pop, retro rock and punk with melodies that will keep you humming for life
Notes
"When Jay Filippone plucks the right lyric and the right melody out of the air and John Spokus and Pete Kuhn put the right beat under it, they do more than just ape the classic guitar-pop canon; they add to it." - (March 1999; Baltimore City Paper)
"This album slaps you in the face pretty early on and for the most part the sting never really fades." - (Liner Notes; June 1999)
"The accelerating thrust is aimed squarely at the chorus, where the payoff is an irresistibly catchy pop-rock melody. As the three-part harmony vocals join the jangly guitar figure and the undiminished momentum, all those frustrations are magically transformed into renewed hopes." - (Geoffrey Himes; Lifetimes; April 1999)
"Highly improved over the last disc they sent my way. Tighter, harder driving, and better produced hook-filled bar-band pop. Could give those bands on big Deal (Splitsville, Gladhands, Barely Pink) a run for their money." - (Yeah Yeah Yeah; Issue #14; Spring 1999)
"This album slaps you in the face pretty early on and for the most part the sting never really fades." - (Liner Notes; June 1999)
"The accelerating thrust is aimed squarely at the chorus, where the payoff is an irresistibly catchy pop-rock melody. As the three-part harmony vocals join the jangly guitar figure and the undiminished momentum, all those frustrations are magically transformed into renewed hopes." - (Geoffrey Himes; Lifetimes; April 1999)
"Highly improved over the last disc they sent my way. Tighter, harder driving, and better produced hook-filled bar-band pop. Could give those bands on big Deal (Splitsville, Gladhands, Barely Pink) a run for their money." - (Yeah Yeah Yeah; Issue #14; Spring 1999)
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