The Promise
Nate Birkey
Performed By
Nate Birkey
Album UPC
6789610142228
CD Baby Track ID
5412432
Label
Household Ink
Released
2008-01-01
BPM
136
Rated
0
ISRC
uscpy0814206
Year
2008
Spotify Plays
70
Writers
Writer
Nathan Birkey
Pub Co
Birkey Music
Composer
Nathan Birkey
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceOne Stop
Rights Controlled
Master and Publishing Grant
Rights
One-Stop: Master + 100% Pub Grant
Original/Cover/Public Domain
original
Country
United States - NY - New York City
Description
Almost Home is both an affirmation of where Birkey has been and a solid indicator of where he\'s headed, as one of the more intriguing "new", yet mature and self-aware voices on the current jazz scene.
Notes
For many years, trumpeter-vocalist Nate Birkey has been steadily honing his distinctive art form, that of making a “mainstream jazz” statement at once warm and creatively vibrant, true to tradition but also willing to break molds for a musical purpose. For several years, the Colorado native was based in Santa Barbara, California, where he had studied at UC Santa Barbara after attending Berklee School of Music in Boston. But an eastward move to New York in 2005 has broadened Birkey’s horizons and deepened both his artistic resolve and his musical evolution.
With the release of \"Almost Home\", his fifth album for the Santa Barbara-based Household Ink label, Birkey takes another step upward and outward, on his first recording made with his NYC-based group. Saxist Sal Giorgianni, pianist Jim Ridl, bassist Tony Marino and drummer Marko Marcinko (also the album’s co-producer, with Birkey) make up the core members of Birkey’s long-favored quintet format. Guests include guitarist Vic Juris, pianist Steve Rudolph, and Café on congas.
Deftly mixing standards tastefully delivered (Cole Porter’s “All of You” Michel Legrand’s “Little Boy Lost”), warm and imaginative originals in various genre leanings, and material from less-trodden sources—i.e. Willie Nelson’s “I’m Falling in Love,” and Ennio Morricone’s theme from Cinema Paradiso—the album continues Birkey’s engaging way with a song, as a fluid improviser and vocalist of understated grace. If there is a romantic tendency in Birkey’s music, with its unabashed nods to Chet Baker’s influence and an appreciation of Italianate beauty, as heard in Sandro Deidda’s opening tune, “Bianca,” Birkey keeps musicality and intelligence high, never settling for easy sentiment.
This summer, Birkey will be presenting his bold new project in a series of CD release
shows, in the U.S. and Europe. Almost Home is both an affirmation of where Birkey has been and a solid indictator of where he’s headed, as one of the more intriguing “new”—yet mature and self-aware--voices on the current jazz scene. His sound is timeless and timely, emotionally true and going places.
“Nate Birkey, he of mysterious charisma, subtle gossamer trumpet lines and understated voice, hunches over the microphone and leans into his phrases, shutting out the world.”
Josef Woodard, Los Angeles Times
With the release of \"Almost Home\", his fifth album for the Santa Barbara-based Household Ink label, Birkey takes another step upward and outward, on his first recording made with his NYC-based group. Saxist Sal Giorgianni, pianist Jim Ridl, bassist Tony Marino and drummer Marko Marcinko (also the album’s co-producer, with Birkey) make up the core members of Birkey’s long-favored quintet format. Guests include guitarist Vic Juris, pianist Steve Rudolph, and Café on congas.
Deftly mixing standards tastefully delivered (Cole Porter’s “All of You” Michel Legrand’s “Little Boy Lost”), warm and imaginative originals in various genre leanings, and material from less-trodden sources—i.e. Willie Nelson’s “I’m Falling in Love,” and Ennio Morricone’s theme from Cinema Paradiso—the album continues Birkey’s engaging way with a song, as a fluid improviser and vocalist of understated grace. If there is a romantic tendency in Birkey’s music, with its unabashed nods to Chet Baker’s influence and an appreciation of Italianate beauty, as heard in Sandro Deidda’s opening tune, “Bianca,” Birkey keeps musicality and intelligence high, never settling for easy sentiment.
This summer, Birkey will be presenting his bold new project in a series of CD release
shows, in the U.S. and Europe. Almost Home is both an affirmation of where Birkey has been and a solid indictator of where he’s headed, as one of the more intriguing “new”—yet mature and self-aware--voices on the current jazz scene. His sound is timeless and timely, emotionally true and going places.
“Nate Birkey, he of mysterious charisma, subtle gossamer trumpet lines and understated voice, hunches over the microphone and leans into his phrases, shutting out the world.”
Josef Woodard, Los Angeles Times
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