Dog Meat God
MindFluxFuneral
Performed By
MindFluxFuneral
Album UPC
712657129224
CD Baby Track ID
55779
Label
Doppler Effect Records
Released
1999-01-01
BPM
90
Rated
0
ISRC
uscgj0607675
Year
1999
Spotify Plays
88
Writers
Writer
Jason Prost & Anthony E. Smith
Pub Co
Trinity by Night Productions (BMI)
Composer
Jason Prost & Anthony E. Smith
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceEasy Clear
Rights Controlled
Master
Rights
Easy Clear: Master
Original/Cover/Public Domain
original
Country
United States - Oregon
Description
Sinister electronic arrangements overloaded with chaotic sound structures, murderous samples and haunted by tortured screaming vocals.
Notes
MindFluxFuneral creates Industrial of crowded, convulsive, and noisy synth design, heavy on the pumping beats and overflowing with intense vocals.
"Hatred" is a haven for aggro-stomp, heel crunching percussion and furiously steel-wool massaging the larynx, distorted vocals; the appropriately titled Antipathy Remix deletes the vocals, turning it into a belligerent, beat brutalizing beast.
"Melting Spirit" lurks around the perimeter, waiting for the moment to plunge the synth knife, a sudden burst of noise amidst the songs devious, subcutaneous trip-hop pacing.
"Wind and Dust" loop's a sirens wail synth, the overlying bounce of the looping rhythm and course, finger pointing vocals (obnoxiously jabbing) creating a nervous aggression.
"God's Eye" resides in the eye of a flaming tornado, pelvis thrust percussion trying to thrust the listener out of the chaos.
I hear a bit of Ministry in the vocals or general aggression, but it's not rip-off; rather it's a ripping good time.
(above review by Outburn Magazine)
"Hatred" is a haven for aggro-stomp, heel crunching percussion and furiously steel-wool massaging the larynx, distorted vocals; the appropriately titled Antipathy Remix deletes the vocals, turning it into a belligerent, beat brutalizing beast.
"Melting Spirit" lurks around the perimeter, waiting for the moment to plunge the synth knife, a sudden burst of noise amidst the songs devious, subcutaneous trip-hop pacing.
"Wind and Dust" loop's a sirens wail synth, the overlying bounce of the looping rhythm and course, finger pointing vocals (obnoxiously jabbing) creating a nervous aggression.
"God's Eye" resides in the eye of a flaming tornado, pelvis thrust percussion trying to thrust the listener out of the chaos.
I hear a bit of Ministry in the vocals or general aggression, but it's not rip-off; rather it's a ripping good time.
(above review by Outburn Magazine)
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