Silhouettes

Acoustic Eidolon

Silhouettes
Performed By Acoustic Eidolon
Album UPC 700261256580
CD Baby Track ID 5925666
Label Acoustic Woods Records
Released 2008-01-01
BPM 134
Rated 0
ISRC uscgh0928337
Year 2008
Spotify Plays 546
Writers
Writer Joe Scott & Hannah Alkire
Pub Co Janjoral Music
Composer Joe Scott & Hannah Alkire
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceEasy Clear
Rights Controlled Master
Rights Easy Clear: Master
Original/Cover/Public Domain original
Country United States - Colorado

Description

A signature blend of Gypsy, Flamenco, World, Celtic and Folk influences, Acoustic Eidolon features Joe Scott on custom 14-string acoustic guitar, and Hannah Alkire on cello. The CD is mostly original music and includes a few vocals.

Notes

‘River of Fire’ is the seventh release from the duo, Acoustic Eidolon. With Hannah Alkire on cello and Joe Scott on his custom 14-string guitjos and acoustic guitars, “River of Fire” is a combination of gypsy, flamenco and world influences, filled with passion and strong, emotional melodies. This CD draws inspiration from their many travels, including recent trips to Spain. Included are fan favorites such as ‘Stairway to Heaven’, ‘Baby Sings the Blues’ (finally!), ‘House of Memories’, ‘River of Fire’, and ‘Looking for a River’.

Acoustic Eidolon, dubbed "World Music for the Soul", is one of the most exciting new sounds on the music scene today, blending Celtic, Gypsy Flamenco, World and folk flavors into strongly melodic and emotional music. Their recordings are featured on NPR, Woodsong’s Old Time Radio Hour, and several television specials. Their music is lively and evocative, and encompasses their own life experiences to result in a riveting and deeply resonant audience experience.

Acoustic Eidolon calls Colorado home though they have performed extensively throughout the world. With a repertoire that defies categories, their signature sound knows no bounds as their music travels through Celtic, World, Latin and Folk music influences. At times, even some Asian tonal poems and hard rock are blended into the mix. Dirty Linen Magazine praises them as “a sumptuous musical feast.” They are described by the Swallow Hill Music Association as “an evening of brilliant instrumentality,” and Georgia’s Good Life Magazine enthuses, “Acoustic Eidolon offers concert-goers a chance to absorb some of the most powerful and intriguing music on the scene today.”

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