Sarabot

The Hotwalls

Sarabot
Performed By The Hotwalls
Album UPC 884501259606
CD Baby Track ID Hotwalls1_007
Label Detroit's Finest Records
Released 2009-12-29
BPM 114
Rated 0
ISRC uscgj1039515
Year 2009
Spotify Plays 11
Writers
Writer Doman/Milligan/Lelandais-Miller/Champion
Pub Co Detroit's Finest Records
Composer Doman/Milligan/Lelandais-Miller/Champion
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceEasy Clear
Rights Controlled Master
Rights Easy Clear: Master
Original/Cover/Public Domain original
Country United States - Michigan

Description

For The Hotwalls’s 2009 release, Everybody Here, the band took the shimmering, power pop of their 2007 debut, deconstructed its more striking elements, and added a little soul, punk, and psychedelia, making for a highly dynamic and compelling work of art.

Notes

For The Hotwalls’s 2009 release, Everybody Here, the band took the shimmering, power pop of their 2007 debut, deconstructed its more striking elements, and added a little soul, punk, and psychedelia, making for a highly dynamic and compelling work of art. From the album’s mini-epic opener “Conquer Din” and the unforgiving one-two punch of “Love & Sense” and “Embodied,” to the mocking waltz of the title-track and the aching beauty of “Sarabot,” the band’s remarkable development over the last two years is evident. Owing much to the addition of Nathan Lélandais-Miller on bass, with his rich sense of tone and counter-melody, and Jarrod Champion’s multi-instrumental verve on drums, keys, and harmonies, The Hotwalls boast a brilliant sonic palette as they’ve become a bona fide collective. Gabriel Doman weaves his angular yet agile guitar work, from delicate restraint to near-abandon, with Ryan Milligan’s versatile tenor, vividly animating the album’s themes of love, loss, urgency, and purpose. Everybody Here could veer off at any moment; such is a fear worth loving. The keen production and mixing sensibilities of Eric Hoegemeyer further ensured that Everybody Here delivers an aural experience worthy of repeated returns. Additional contributions were graciously made by Ben Moore, Erik Maluchnik, and Marie Lélandais-Miller. – Detroit’s Finest Records, 2009.

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