Second Coming

The Dropper's Neck

Second Coming
Performed By The Dropper's Neck
Album UPC 888174051512
CD Baby Track ID 12154387
Label The Dropper's Neck
Released 2013-07-29
BPM 109
Rated 0
ISRC ushm21324690
Year 2013
Spotify Plays 58
Writers
Writer Chris Blake
Pub Co The Dropper's Neck
Composer Chris Blake
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceOne Stop
Rights Controlled Master and Publishing Grant
Rights One-Stop: Master + 100% Pub Grant
Original/Cover/Public Domain original
Country UK - England - South East

Description

The striking debut album, which boasts nine killer tracks of noisy garage punk rock, enticing hooks and riffs, chaotic vocals combined with bounds of energy and raw intensity.

Notes

The rising Southern noiseniks are quickly moving through the ranks, as they launch out of the underground and aim right for the jugular of the UK scene, loaded with their stunning new album ‘Second Coming’.

With glowing comparisons to the likes of Eighties Matchbox B-Line Disaster, Pulled Apart By Horses and QOTSA,
The Dropper’s Neck spring from the traps with big hooks, huge riffs and a dark chaotic intensity.

Born in and around Essex, The Dropper’s Neck were formed in the summer of 2011 and feature Lloyd Mathews on lead vocals, Chris Blake handling lead guitar, George Barrows serving up rhythm guitar, Danny Keene on drums and Jack Turner steadying the ship on bass guitar - All five members having the same ambition and drive: to make loud, raw and noisy rock music.

The album was recorded with esteemed producer Paul Tipler (Placebo, Idlewild & Eighties Matchbox B-Line Disaster) at the helm. The end result is ‘Second Coming’ and it’s a real scorcher. From the unbridled garage punk texturing of the opening and album title track ‘Second Coming’, to the energetic groove of their forthcoming single ‘Darker Waters’, to the fantastically chaotic and aptly named ‘Abrasive’, right through to the climax closer ‘Save Me From Myself’, The Dropper’s Neck have sculptured an extremely striking debut album that boasts nine killer cuts of high octane raucous rock merged with tinges of physcobilly punk; in doing so, they have fashioned a record brimming with raw power, force, and true potential.

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