Sinner Or Saint
Homicide Black
Performed By
Homicide Black
Album UPC
767067201213
CD Baby Track ID
9291692
Label
Rattle Clack Entertainment
Released
2012-02-21
BPM
87
Rated
0
ISRC
QMS6S1200003
Year
2012
Spotify Plays
308
Writers
Writer
Sean Patrick Nestor; James Robert Byers
Pub Co
Sean Patrick Nestor; James Robert Byers
Composer
Sean Patrick Nestor; James Robert Byers
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceEasy Clear
Rights Controlled
Master
Rights
Easy Clear: Master
Original/Cover/Public Domain
original
Country
United States - United States
Description
Classic metal with a fresh coat of paint, for those who like bands like Black Sabbath, Dio, and similar artists.
Notes
From the kingdom of Hell, a new earth begins, from chaos and turmoil, the new world is released…
As the phoenix rises from the ashes, so does Homicide Black. A continuum of three, with a roar of thousands. Thousands who had long thought the time of metal, passion and raw aggression had given way to the polished, the pristine, the safe, and the benign. With strong roots and a singular mission, the members of Homicide Black emerge from a musical wasteland to bring metal to a new generation and to revive the generation that was left for dead.
Paying homage to their musical roots, Homicide Black conjures images of darkness, despair and salvation (not always in that order), telling epic tales with some songs while delivering a straightforward onslaught of crushing metal with others. The music is truly brought to life during the band’s blistering live performances that include tributes to the metal gods designed to engage the audience and introduce metal’s rich history to new fans as well as reacquainting it with those who have waited far too long for their music to return to the epic stature it once had.
Each member is a multi-instrumentalist, allowing for a truly organic writing process which is evident in the material on the band’s self-titled debut. From the dark imagery that sets the stage for “Spirits of the Dead,” “Sinner or Saint” and “Church on the Hill," to the tragedies that unfold in “The Tower” and “Well of Souls," Homicide Black brings to life a new dawn of metal and the drive to bring it to the metal-starved masses.
As the phoenix rises from the ashes, so does Homicide Black. A continuum of three, with a roar of thousands. Thousands who had long thought the time of metal, passion and raw aggression had given way to the polished, the pristine, the safe, and the benign. With strong roots and a singular mission, the members of Homicide Black emerge from a musical wasteland to bring metal to a new generation and to revive the generation that was left for dead.
Paying homage to their musical roots, Homicide Black conjures images of darkness, despair and salvation (not always in that order), telling epic tales with some songs while delivering a straightforward onslaught of crushing metal with others. The music is truly brought to life during the band’s blistering live performances that include tributes to the metal gods designed to engage the audience and introduce metal’s rich history to new fans as well as reacquainting it with those who have waited far too long for their music to return to the epic stature it once had.
Each member is a multi-instrumentalist, allowing for a truly organic writing process which is evident in the material on the band’s self-titled debut. From the dark imagery that sets the stage for “Spirits of the Dead,” “Sinner or Saint” and “Church on the Hill," to the tragedies that unfold in “The Tower” and “Well of Souls," Homicide Black brings to life a new dawn of metal and the drive to bring it to the metal-starved masses.
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