Devil of My Dreams

Driftglass

Devil of My Dreams
Performed By Driftglass
Album UPC 829982157812
CD Baby Track ID TR0001021229
Label Driftglass
Released 2014-08-20
BPM 130
Rated 0
ISRC usx9p1454336
Year 2014
Spotify Plays 51
Songtrust Track ID 316690
Writers
Writer Guerman Kisselman
Songwriter ID 71678
Pub Co CD Baby Publishing
Composer Guerman Kisselman
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceOne Stop
Publisher Admin CD Baby Publishing
Rights Controlled Master and Publishing Grant
Rights One-Stop: Master + 100% Pub Grant
Original/Cover/Public Domain original
Country CANADA - Ontario

Description

A genre bending album that fuses vintage with modern influences of progressive rock and metal.

Notes

"Toronto-based progressive metal band, Driftglass, has its feet firmly planted in old school progressive rock while simultaneously embracing elements of catchy, modern heavy metal. On its first full-length album, All That Remains, the sextet shows off its diverse musical influences on its nine expansive tracks, recalling bands such as Pink Floyd, Dream Theater, Yes and Rush, to name a few. The band could easily play technical prog metal in its sleep, but they also display more friendly, commercial-sounding elements. Each song is decorated with loads of melody accompanied by profound and reflective lyrics..." Kelly Simms - BraveWords.com

"All That Remains both continues the tradition and stands on it's own merits by offering fine and entertaining melodic progressive metal. It's worth your time and interest. Recommended." Craig Hartranft - Dangerdog.com

"All That Remains is both melodic and adventurous and should provide hours of enjoyment for progressive rock/metal fans who choose to seek it out. I can safely recommend it without hesitation." Jon Neudorf - Seaoftranquility.org

Driftglass managed to create a solid album that sounds effortlessly catchy without striving too hard to be “a crowd pleaser.” Andrea Caaccese - Progmetalzone.com

"All of the songs are of a length which allows them to grow and blossom into some neat prog rock. A blend of sounds that resemble music you might expect to find on any Tool, Mastodon, Rush or Porcupine Tree album." Allan Bannerman - POWERPLAY Magazine powerplaymagazine.co.uk

"...but Driftglass finally came out with “All That Remains” (August, 2014) – An outstanding Prog-Metal album featuring 9 tracks that are marked by the dynamics, wide range of influences, and great songwriting capability – reflecting the maturation of the band’s sound. In fact, the distinctive styles that Driftglass imprints on each of the compositions, without mixing too much the sonic influences that arise from well-defined periods of time – the ‘70s, ‘80s and ‘90s – is what gives a positive diversity to “All That Remains” – an album containing only great songs, which will impact the listener, however, more or less according to his/her tastes." Marcelo Trotta - www.progressiverockbr.com

"They’re pretty much old school when it comes to their music as they head off into the world inhabited by Pink Floyd, Dream Theater, and early Rush. It’s awash with keyboards, heaving riffing and some really good vocals from Alvin Ihsani." Stuart Hamilton - The Rocker therocker65.wordpress.com

"Highlights include the short beautiful melancholic ballad Evelyn plus Disconnected featuring guest vocalist Polyna Firer who proves a refreshing counterpoint, and my favourite The Unfolding (10-min); all splendid ambassadors of their versatility and musicianship." DK Classic Rock Society Magazine www.classicrocksociety.co.uk

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