The Great Recession
Rob Dame
Performed By
Rob Dame
Album UPC
885767370159
CD Baby Track ID
9258436
Label
Rob Dame
Released
2012-02-22
BPM
119
Rated
0
ISRC
uscgh1248288
Year
2012
Spotify Plays
1
Writers
Writer
Robert Edson Dame III
Pub Co
Robert Edson Dame III
Composer
Robert Edson Dame III
ClearanceFacebook Sync License,Traditional Sync,YouTube Sync ServiceOne Stop
Rights Controlled
Master and Publishing Grant
Rights
One-Stop: Master + 100% Pub Grant
Original/Cover/Public Domain
original
Country
United States - United States
Description
Instrumental jazz in the nu jazz/jazz funk & smooth jazz vein, featuring guitar, & saxophones, supported by real Fender Rhodes piano.
Recommended if you like Larry Carlton, Grant Green, Brian Auger, Eddie Henderson, Tim Ries, & Gerald Albright
Recommended if you like Larry Carlton, Grant Green, Brian Auger, Eddie Henderson, Tim Ries, & Gerald Albright
Notes
I am a non-celebrity, non commodity, jazz guitarist & composer. I grew up north of NYC but live in the SE US because it's warmer, sunnier, and affordable. In the past I've earned foreign and domestic royalty income from network TV and have opened for nationally known jazz and rock act in the 1970s & 80s. What matters most is that I am still creating music now, & living a debt free lifestyle. My first exposure to live jazz came in Troy, NY circa 1968 when I saw Roberta Flack live as she opened for Bill Cosby. I was totally mesmerized by her guitarist who came onto the stage playing a Gibson Super 400. I can only presume that he may have been Eric Gale. Circa 1971 I began earning money playing music at military bases during the Viet Nam War. After playing rock and country for a few years I became totally disillusioned with those styles and had to begin to play more interesting music. It was during this time that I began to buy, collect, and broker vintage guitars as well. In the late 1970s I had the experience of opening for several well known jazz and rock artists. While I enjoyed this work from a musical perspective, I was totally turned off by the business side of things, and the constant exposure to people who were involved in self destructive substance abuse. I was also repelled by people who were "on" all of the time to promote themselves. So for extended periods I was inactive from live performance. I recorded instrumental music from time to time and would occasionally earn royalty income from network TV and radio. At this time I am thankful that I am still able to play, record, and learn new ideas for composing and recording. There is nothing particularly esoteric about my music. I am merely enjoying what I do.
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