Shadows in the Rain

Luna Waves is the first solo album from space blues pioneer Mason Stevens. This album has been credited as the first true space blues album, and called a classic.

Reviews

With Mason Stevens' album Luna Waves, I think we finally have the first true "space blues" album. This man can PLAY his '63 Jazzmaster, folks. You'll be able to tell that about one-minute in on the first cut, "blue cat swamp." Yow! The snazzy Hammond organ (played on one of two synths that Stevens credits in the liner notes) and the gut-wrenching thumpety-thump bass (an Ibanez Roadstar II) certainly don't hinder the mojo-workin' feel of the track either! Yes, I do believe this is both bluesy AND spacy!

Obviously, if you don't like electric guitar, this is not going to clean your solar (or lunar) clock. Granted, other textures abound throughout the CD (synths galore in a variety of styles and tones, usually used for coloring and atmosphere but not always subdued either). But many times Stevens places that axe way up front (such as on "primal awakening" - with the emphasis on "awakening!"). Jeff Pearce billows of ambience this CD ain't! But it sure is fun and funky and cool and even dark and mysterious at times.

Having said this is not Jeff Pearce-like music, there are some more mellow cuts (relatively speaking), like the smoky and haunting "mist before dawn," the synth-shimmering "morning calm," and the closest thing to a more ambient vibe-sounding "reflections" (which, I suppose, could be compared to Jeff Pearce's first album, Tenderness and Fatality). However, most of the fun on Luna Waves comes from the more revved-up tracks, such as the jazzy/bluesy "solo wings" and the creepy/spooky "cavern's end."

My favorite song, though, is the title track which is also the last cut on the album. That shuffling back-alley beat drives me crazy (in a good way) and those stinging yet subdued bluesy lead lines really gets my spacy groove thang going full steam ahead. I'll wager that this is what they'll listen to on Mars on a Saturday night (at a bar like Minneapolis's Stand-Up Frank's where the booze is always cheap!). People will peel out of their atmosphere suits, cozy up to the thermal heaters, and feel the bitterness of the work week slaving in the ice-cap hydroelectric plants melt away as the bourbon hits the back of their throats.

Man, this is one cool CD. Electric guitar lovers (such as fans of Jon Durant - although this is nothing like his work) - this one is mo' definitely custom-made for you! 
 William Binkleman -Wind & Wire - USA

From the opening notes of "Blue Cat Swamp," I can tell I'm going outside my comfort zone here. Ambient music mixed with blues? Ok, let's just go with it. "Primal Awakening" confirms the bluesy nature of the musical proceedings. Using just two synthesizers and an electric guitar and bass, Stevens paints a rich sonic palette with a diverse array of tonal colors in these eleven relatively short vignettes. "Mist Before Dawn" begins more firmly rooted in ambient textures, but the guitar never leaves for long. This one has an eerie, mysterious feel. I really like the flowing synth sounds, and the main guitar theme blends well. "Morning Calm" is perfectly titled, an effective mood piece. Also good is "Solo Wings," which has a really nice bass line and percussion. "Shadows in the Rain" is the longest track at eight minutes, another interesting hybrid. As the blues guitar solo meanders through, dark synth choirs and ambient rumblings lurk in the background. My personal favorite is probably "Cavern's End," which just sort of walks along in its own time, with a cool sound I can't identify used to keep the beat. "Reflections" almost reminds me of ambient guitarist Jeff Pearce, but is still infused with shades of blues. "Fire Dance" is planted squarely in blues rock roots, a short catchy piece. The dark atmospheric textures of the title track bring the disc to a reflective end. Grab a glass of wine and chill. 
 Phil Derby - Expose Magazine


Luna Waves is a set of electronic funk and blues from Mason Stevens, an expert at combining traditional electric guitars with modern processed and electronic guitars. He surrounds rock and roll riffs with huge atmospheres and contrasts steamy blues with dynamic soundscapes. The unique perspective is quite refreshing and makes deep listening a challenging experience. This CD...is an instant classic!
Jim Brenholts -Ambient Visions

Luna Waves is a charming mix of languid blues guitar, casual salon jazz pickin', rock solo-izing, and spacey electronics. The guitar always leads, and the rhythms are understated and machine-generated. Some of the tracks feature a harder guitar sound, a bit like Santana or Pink Floyd, but in my opinion Stevens' best work on this album is on the quieter tracks when he sits back and lays down some sweet, rambling note-lines while the synthesizer glimmers in the background.
Hannah M.G. Shapero -EER-MUSIC.com